long-listed for the Melita Hume Poetry Prize, Eyewear Publishing, London
short-listed for the 1913 Prize for First Books
Forthcoming in 2020 as an Editrixes Pick with 1913 press
Other published pieces
June I wrote a text for "Gentle stranger, I hope this email finds you well," a collection of letters written by artists around the world, all in some way touching on the subject of care. Curated by Sophie Mak-Schram and Alexander Norton over at Künstler Künstlerin, an artist platform based in Berlin. My offering to this project is an interspecies interlocution with a special Friend, an exploration of the muchness in our relationships with one another, and a tale of my intertwinement with a member of my own species. As well as a mishmash of much more multifarious muchness.
May I wrote a foreword exploring the idea of lament as resistance for Lucy Railton’s “Lament in Three Parts”. The album was released on Cafe Oto’s new label Takuroku and can be found here.
February ‘æ æ / αἰ αί / ay ay: lessons in love and loss’ has been published in the fourth issue of Ós, a multilingual literary journal from Iceland. The full text can be read over at Arcturus (see below).
January An epilogue to a podcast conversation with Juliet Fraser, ahead of my performance in her series Eavesdropping. Juliet asked me an important question about the relationship between art making and womanhood. I found myself unable to answer extemporaneously, and this text is the trace of subsequent thoughts on the question, and on the difficulty of answering.
July æ æ / αἰ αί / ay ay: lessons in love and loss, a text/performance piece published by the Chicago Review of Books’ online literary magazine Arcturus.
August online poetry journal 8poems published A / B, a reflection on various binary modes of thought.
May online art & poetry journal Anti-Heroin Chic published my poem μετά τη Σαπφώ / after Sappho