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	<title>sophiefetokaki</title>
	<link>https://sophiefetokaki.com</link>
	<description>sophiefetokaki</description>
	<pubDate>Wed, 04 Apr 2018 09:25:53 +0000</pubDate>
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		<title>SOPHIE FETOKAKI</title>
				
		<link>https://sophiefetokaki.com/SOPHIE-FETOKAKI-1</link>

		<pubDate>Fri, 19 Jan 2018 17:17:21 +0000</pubDate>

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		<title>things I’m doing, have done, will do</title>
				
		<link>https://sophiefetokaki.com/things-I-m-doing-have-done-will-do</link>

		<pubDate>Fri, 19 Jan 2018 17:17:23 +0000</pubDate>

		<dc:creator>sophiefetokaki</dc:creator>

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		<description>

2026
January - December
the island rises with you
Artistic research project with Planetary Archipelagos

Supported by Nordic Culture Fund

July&#38;nbsp;
Presentation at Convocations III
Conference on language-based artistic research practices
University of Applied Arts Vienna
Austria


February 25th
Planetary Archipelagos public talk
with&#38;nbsp;Seán Ó Dálaigh and Andrew Duggan
Critical Coffee Readings
Online
2025
November 12thMultilingual Poetics
Workshop session for Fisherwomxn’s co-learning assembly “moving words shifting worlds”
Lefkosia, Cyprus
October
Bunkerologies / Πολυβολειολογίες
Artistic research project with Andriana Lagoudes
Pame Kaimakli
Lefkosia, CyprusAugust
“Prothesis” published with Pamenar Press
UK
June
Awarded 2025 Iowa Review Award Prize in Nonfiction
USAGuest writer for Dutch Art Institute
Cyprus
May&#38;nbsp;
Awarded Globus Opstart + funding from Nordic Culture Fund
for Planetary Archipelagos
with 
Seán Ó Dálaigh and Andrew Duggan
Finland/Cyprus/IrelandMay 13th


Co-producer of annual festival 
Μουσικός Περίπατος στη Βάβλα / Musical Promenade in Vavla

Cyprus

April
Premiere of Neue Szenen opera with Haukur Þór Harðarson
Deustche Oper BerlinGermanyMarch
Guest at Dutch Art Institute
Supported by Culture Moves Europe
Cyprus

2024



November 21st-22nd
Presentation at&#38;nbsp;Finnish Educational Research Association conference
University of Turku
Finland&#38;nbsp;
October
“what I know” published in The Prose Poem, Issue 18: Skin
UK

September - October

Simultaneous Arrivals artistic research residency The Arts-Based Research Program (PEEK)
Graz, AustriaAugust 8th - 15th&#38;nbsp;
Research in maqam improvisation and polyphonic singing of Epirus
Arts Council England project
Athens and Epirus, Greece

June 27th - 29thPresentation of new video essay “Navel, ear of god: decolonial listening and situated making”
Forum Artistic Research: listen for beginningsGustav Mahler Private University for Music
Klagenfurt, Austria




May 25thCo-producer at music festival Μουσικός Περίπατος στη Βάβλα / Musical Promenade in VavlaCyprus 



May &#38;nbsp;Libretto for a new opera by Haukur Þór Harðarson

Neue Szenen für das Musiktheater
Deustche Oper Berlin
Germany
April 9th - May 8th
Whiteness and Sound Studies
Curation and hosting of seminar series
Centre for Experimental Practices at
Huddersfield Universityco-hosted by Uniarts, Helsinki
Online

2023



November&#38;nbsp;
Beginning postdoctoral research in performing arts pedagogy
University of the Arts Helsinki&#38;nbsp;
Finland&#38;nbsp;

October 1st - 14th
Artist in residence at Xarkis Festival working on φρούτα ονείρων · dream fruit &#38;nbsp; A community-oriented artistic research project about the vigna ungiculata
culminating in a participatory durational performance
Kornos, Cyprus

August 28th - Sept 2nd&#38;nbsp;


Arts Council-funded research trip to study songs from Smyrna and Istanbul&#38;nbsp;
with Avgerini GatsiAnogeia, Crete


May 13thProducer and performer at music festival

Μουσικός Περίπατος στη Βάβλα / Musical Promenade in Vavla
Cyprus&#38;nbsp;
January 18th
&#60;img width="354" height="301" width_o="354" height_o="301" data-src="https://freight.cargo.site/t/original/i/c6bba72d1a663f21f1517625eefa6f7d82aafdad98638f0c486d32bc0088ba0a/emojisky.com-14327760.png" data-mid="189938966" border="0" data-scale="5" src="https://freight.cargo.site/w/354/i/c6bba72d1a663f21f1517625eefa6f7d82aafdad98638f0c486d32bc0088ba0a/emojisky.com-14327760.png" /&#62;

2022September 5th - 12th
Arts Council-funded research trip to study Eastern Mediterranean modal improvisation 
with Evgenios Voulgaris
Patras, Greece
August 8th - 14th
Artist in residence at Sage Gateshead Summer Studios
Gateshead, UK
on tour August 6th
Vavla amphitheatre
Cyprus


on tour 

July 29th
Fengaros FestivalKato DrysCyprus



June 25th - July 3rd
Musical director and performer in Ragnar Kjartansson’s “The Sky in a Room”Produced by Ikon gallery, BirminghamTanworth-in-Arden, UK



on tour 

June 19th Aldeburgh Festival&#38;nbsp;‘eavesdropping’ performance hosted and curated by Juliet FraserThe Pumphouse
Aldeburgh, UK



on tour 

June 18th

The Grit: 

Lowestoft

Centre for the Arts and HeritageLowestoft, UK
June 14th
Performance with Lucy Railton&#38;nbsp; 
Cafe Oto&#38;nbsp;
London, UK



on tour 

June 11thHome Farm FestivalChilthorn Domer, UK

on tour&#38;nbsp;

June 10thVanishing Point, AMP Studios
London, UK



on tour 

June 8thFolkroom The HarrisonLondon, UK

on tour June 2ndProzakNicosia, Cyprus


May 30th
Awarded Arts Council England’s ‘Developing Your Creative Practice’ grant for one year of research, study and development of new works



April 1st - 29th Artist in residence at 
Klaustrið, Skriðuklaustur&#38;nbsp; Fljótsdalur, Iceland




January - March&#38;nbsp;Øjne På Jorden‘Performance doula’ for the 2021 - 2022 season at Teater Momentum, with artistic director Monia Sander Haj-Mohamed

Odense, Denmark






2021




on tour 

December 15th

Huiskamerconcerten UtrechtThe Netherlands



on tour 

December 12th
Culturehub
Rotterdam, The Netherlands


on tour 

November 30th Momentum Theatre
Odense, Denmark&#38;nbsp;



on tour 

November 15th


Release of Abundance


Solo livestream performance for Fengaros Reacts
Nicosia, Cyprus
August 22nd&#38;nbsp;Speaking on Phil’s Jazz Dis-Junction with Lucy Railton and Phil Smith
NTS Radio

June 26th
“A Handbook of Situated Making” 
PhD doctoral thesis and portfolio Submitted to the University of Huddersfield, U.K.&#38;nbsp;



May 21st - 22nd Κοκόνες / KokonesPerformance of a work by Maria Kamberis (choreographer), Lefteris Moumtzis (music), Eirini Andreou (dramaturge) and 
Filep Motwary (art design and costumes)Museum of Cyprus in Lefkosia


March 16th“The situated knowledges of practice” &#38;nbsp;
Guest lecture weaving together folkloric forms, standpoint theory and situated knowledge, field recordings, theories of embodied practice, deep listening, topophilia, collective action and activism.&#38;nbsp;
Sound Lab Royal Danish Academy of Fine Arts
Copenhagen


January - December&#38;nbsp;Øjne På Jorden‘Performance doula’ for the 2021 - 2022 season at Teater Momentum, with artistic director Monia Sander 
Haj-Mohamed



Odense, Denmark
2020
November 24th - 26th&#38;nbsp;“How to sing a lullaby: embodied technique as situated knowing”
Presentation at seminar “Materials, Methods and Ethics in Music Research” 
Grieg Research School in Interdisciplinary Music Studies 
University of Bergen




August - September &#38;nbsp;Musical direction of Ragnar Kjartansson’s “The Sky in a Room” 
San Carlo al Lazzaretto church in Milan
Produced by the Trussardi Foundation, curated by Massimiliano Gioni.&#38;nbsp;


August - SeptemberArïanna: Liefde zonder Grenzen
role of DorillaNew hybrid opera work with director Miranda Lakerveld and World Opera LabPodium MozaïekThe Netherlands 





..................




March 11th - 13th"Durational Approaches to Performance"3-day workshop with students of Leeds College of Music Leeds Art Gallery






February 19th"What do we mean when we speak of "practice"?"Lecture at Iceland University of the Arts Reykjavik, Iceland 




January 24thSolo set at Juliet Fraser’s ‘eavesdropping’ seriesOxford HouseLondon, U.K.



2019
November 19th - 21stWorkshop with students of the MA program “New Audiences and Innovative Practice”Iceland University of the Arts
Reykjavik, Iceland
October 25thLUNCH / Hádegisverður 
Northern Creation performance 
TjarnarbíóReykjavik, Iceland



September 1st - 22ndResidency with Northern Network for Performing Arts“Northern Creation”, collaborative and interdisciplionary residency and creation of new workKaukonen, Finland 

26th August - 1st&#38;nbsp;

September





Festival Ung Nordisk Musik



meta/morphē





Durational performance art work during which a group of artists and craftspeople disassemble a piano with the help of the public


Piteå, Sweden



August 2nd
Solo performance of traditional and original songs
Fengaros Music Festival
Kato Drys, Cyprus

July 25th - 30th

Approaches to musical embodiment


Six-day workshop at Fengaros Music Village
Kato Drys, Cyprus

May 8th
Poetry reading and song performance&#38;nbsp;
Vatnasafn / Library of Water


Stykkishólmur, Iceland


April 24th - May 12th&#38;nbsp;
Writer in residence at Vatnasafn / Library of Water
Stykkishólmur, Iceland

2018

November 19thHuddersfield Contemporary Music Festival 




Quad by Samuel Beckett
Huddersfield, U.K.







November 8th
Airwaves festival, off-venue

Norræna húsið


Solo voice + guitar performance of songs from around the world


Reykjavik, Iceland



October 26th

Circleflute Opera 

in collaboration 

with composer Þráinn Hjálmarsson and artists Brynjar Sigurðarson and Veronika Sedlmair


Cycle Music and Art Festival



Kópavogur, Iceland

September 21stPerdu Poetry Institute




αἰ αί / æ æ / ay ay — a few pieces about words, and other things that fall apart




Amsterdam, Netherlands 



August 13th - 19th

Xarkis Festival
Residency, workshop and community art project around folk song and folk song transmission


Koilani, Cyprus


July 21st
Fengaros Music Village
Songs the algorithm taught me
Solo voice + guitar performance of songs from around the worldKato Drys, Cyprus

July 13thCyprus Wine Museum

Pieces by Rzewski and Feldman with Passepartout Duo



Limassol, Cyrpus
June 29th - 30thMengi
Two evenings of performances and readings with Anne Carson, Robert Currie,&#38;nbsp;


Sigurjón Birgir Sigurðsson,


Ásta Fanney Sigurðardóttir, Magnus Sigurdsson,&#38;nbsp;

Ragnar Helgi Ólafsson and others.









 Reykjavik, Iceland 

June 28th



Einar Jónsson Museum 


Performance of Greek folk song at the release of Anne Carson’s Vör/Lip and Ragnar Helgi Ólafsson’s 
Bókasafn föður míns&#38;nbsp;(Tunglið forlag).

Reykjavik, Iceland


June 8th - 22nd



Iðnó&#38;nbsp; 




meta/morphē






Durational performance art 

work during 

which a group of artists and craftspeople disassemble a piano with the help of the public. 


Reykjavik, Iceland



May&#38;nbsp;




Four outdoor site-specific performances of Samuel Beckett’s “Quad”


Huddersfield, U.K. 

April 21st
Lied in Leeds
premiere of 

Glöckchen, a new co-composition with Brice Catherin and Alicia Fernández

Leeds, U.K.

February 18th

Norræna húsið


Days of Silence
composition by Haukur Þór Harðarson
with 

Guðni Franzson and Ensemble Caput

Reykjavik, Iceland



February 3rd - 28th
National Museum of Wales
The Sky in a Room&#38;nbsp;
durational work by Ragnar Kjartansson


Cardiff, U.K.

2017


December 8th




Perdu Poetry Institute in collaboration with Poëziecentrum Ghent


The loinpres, or how to surrender your will and yet to write
poetry and translation performance 




Amsterdam, Netherlands





November 24th




Théâtre les 50


Svioloncello


Saint-Jean-de-Gonville, France




October 28th



The Warp at Kunstkapel
Refere
radioplay/electronicopera/installation by Thomas Myrmel


Amsterdam, NL





September 14th - 17th
Perdu Theatre &#38;nbsp;




Svioloncello


Amsterdam Fringe Festival







Amsterdam, Netherlands



August 9thDuet for two poets
with Mia You
Modernism Today Conference

2017 meeting of the Modernist Studies Association



Sexyland, Amsterdam and an apartment in Larnaka, Cyprus
August 2nd


Thkio Ppalies


άκ02 : Sonorous Bodiesvoice, vibraphone and diffusion



with Andria Nicodemou &#38;amp; Emiddio Vasquez



Lefkosia, Cyprus 




2016

Oct 5 - 7
Dance House Lefkosia
ΡΑ … ΠΑΤΣΙΑ… ΟΥ… 
opera by&#38;nbsp;

Andys Skordis




Lefkosia, Cyprus





Sept 2nd - 6th


Oostblok theater
HarnessAmsterdam Fringe Festival
with performance art ensemble Knot Applicable 


Amsterdam, Netherlands


June 11th - 19th
Theater Carré, 


Theatre of the WorldOpera by Louis Andriessen with

with Asko&#124;Schönberg and the 
Dutch National Opera



conductor Reinbert de Leeuwdirector Pierre Audi


Amsterdam, Netherlands





May 6th - 8th


Walt Disney Concert Hall


Theatre of the WorldOpera by Louis Andriessen 



with L.A. Philharmonic and the&#38;nbsp;
Dutch National Opera




conductor Reinbert de Leeuw

director Pierre Audi




Los Angeles, U.S.


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		<title>things to look at, listen to</title>
				
		<link>https://sophiefetokaki.com/things-to-look-at-listen-to</link>

		<pubDate>Sat, 27 Jan 2018 18:30:51 +0000</pubDate>

		<dc:creator>sophiefetokaki</dc:creator>

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		<description>‘Performance writing in action,’ workshop in script-writing for participatory performance projects

CONVOCATION III, gathering for language-based artistic research

University of Applied ArtsVienna, Austria&#38;nbsp;

&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0619aca3480e0e2c27bfe2a4dc56db2fe0358f89b99cbea3965059119b7222e1/1.jpg" data-mid="250371878" border="0"  src="https://freight.cargo.site/w/1000/i/0619aca3480e0e2c27bfe2a4dc56db2fe0358f89b99cbea3965059119b7222e1/1.jpg" /&#62;&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/5b3361f2cb8cf041f31d47f7720caac1a046111f4ca406c4dcb3e7b6aa9cdd1a/2.jpg" data-mid="250371879" border="0"  src="https://freight.cargo.site/w/1000/i/5b3361f2cb8cf041f31d47f7720caac1a046111f4ca406c4dcb3e7b6aa9cdd1a/2.jpg" /&#62;
Photos by&#38;nbsp;Nikolaus Eckhard






●
Ἐν Φυῇ / En Phyē
A new vocal ensemble, whose debut performance took place at the Musical Promenade in Vavla 2026.&#38;nbsp;

En Phyē consists of myself, Ioanna Vasileiou, 

Konstantina Xenofontos,

and Elena Xyda.&#38;nbsp;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/439cff3a19b14aa509fe022b868827970a63d09af67b8139917cb333804a7745/high-res--credit-Ioanna-Vasileiou.jpg" data-mid="250400081" border="0"  src="https://freight.cargo.site/w/1000/i/439cff3a19b14aa509fe022b868827970a63d09af67b8139917cb333804a7745/high-res--credit-Ioanna-Vasileiou.jpg" /&#62;
&#60;img width="1880" height="1080" width_o="1880" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6cde9eb63bd1f952d549499a5f74fcc36d45bb1d5655a41960ab4ce0b10bb00f/13521.jpg" data-mid="250400120" border="0"  src="https://freight.cargo.site/w/1000/i/6cde9eb63bd1f952d549499a5f74fcc36d45bb1d5655a41960ab4ce0b10bb00f/13521.jpg" /&#62;
&#60;img width="1080" height="608" width_o="1080" height_o="608" data-src="https://freight.cargo.site/t/original/i/732c1dfe52a6e2087a280f137437beb376a92841484f3906ab12a511b30ba0c1/credit-Andreas-Loucaides.jpg" data-mid="250400121" border="0"  src="https://freight.cargo.site/w/1000/i/732c1dfe52a6e2087a280f137437beb376a92841484f3906ab12a511b30ba0c1/credit-Andreas-Loucaides.jpg" /&#62;
&#60;img width="3800" height="2534" width_o="3800" height_o="2534" data-src="https://freight.cargo.site/t/original/i/13c59b9b91d54e00d870dcba51cdfb60e3b2b1590ff8a28ae97d1f556c307b69/high-res--credit-Panayiotis-Mina.JPG" data-mid="250400135" border="0"  src="https://freight.cargo.site/w/1000/i/13c59b9b91d54e00d870dcba51cdfb60e3b2b1590ff8a28ae97d1f556c307b69/high-res--credit-Panayiotis-Mina.JPG" /&#62;
Photo credits: 1) Ioanna Vasileiou, 2) Georgia Moditi, 3) Andreas Loucaides, 4) Panayiotis Mina


●
Multilingual Poetics
Workshop for Fisherwomxn’s study program: moving words, shifting worlds


&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6cae9b90048c5f48f1a3f7aa8266af03a021357ffda61d3a974324cdd00fec82/multilingual-poetics-image.jpeg" data-mid="250399490" border="0"  src="https://freight.cargo.site/w/1000/i/6cae9b90048c5f48f1a3f7aa8266af03a021357ffda61d3a974324cdd00fec82/multilingual-poetics-image.jpeg" /&#62;
Study folder containing “a selection of material gathered during our co-learning assembly in 2025 during which we sought to think on how we might resist and reclaim language through the acts of writing, translating, and publishing.”
 
&#60;img width="2296" height="3038" width_o="2296" height_o="3038" data-src="https://freight.cargo.site/t/original/i/38173fd171ccde3c80eb2a4969f3b03c238e4c401b11fc754c3b57b60af22f99/20260714_154524.jpg" data-mid="250399538" border="0"  src="https://freight.cargo.site/w/1000/i/38173fd171ccde3c80eb2a4969f3b03c238e4c401b11fc754c3b57b60af22f99/20260714_154524.jpg" /&#62;
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Download the study folder here




●
Πολυβολειολογίες • Bunkerologies

&#60;img width="1500" height="1925" width_o="1500" height_o="1925" data-src="https://freight.cargo.site/t/original/i/a066c6c98bb17a425d63a1a9d37841509899ad465714f930aec89b08bfe6212d/festival-flyer.png" data-mid="245063046" border="0"  src="https://freight.cargo.site/w/1000/i/a066c6c98bb17a425d63a1a9d37841509899ad465714f930aec89b08bfe6212d/festival-flyer.png" /&#62;
&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/32053932c73dd10d8672fbc5690cbd9b3bea722f670342db8b63291223b64d54/Team-Photo.jpg" data-mid="245063045" border="0"  src="https://freight.cargo.site/w/1000/i/32053932c73dd10d8672fbc5690cbd9b3bea722f670342db8b63291223b64d54/Team-Photo.jpg" /&#62;
Right-hand photo by Andriana Lagoudes



This collaborative artistic research project with Andriana Lagoudes explores the bunkers that line the Cyprus buffer zone. Through ethnographic research and drawing on existing bunker scholarship, we navigate the duty of silence surrounding these tight, haphazard spaces. How does this duty vary along gendered lines, and how do we belong alongside these structures?

Presented at Urban Gorilla’s festival Pame Kaimakli.Sophie Fetokaki and Andriana Lagoudes · Πολυβολειολογίες / Bunkerologies


●






&#60;img width="6048" height="4024" width_o="6048" height_o="4024" data-src="https://freight.cargo.site/t/original/i/9a5741c9376713a582dc8b2b220b33d9844908c6469a174d74e876eb410dd803/2521_Neue-Szenen-VII_GP_Cave_Nancy-Jesse_26.jpg" data-mid="232993132" border="0"  src="https://freight.cargo.site/w/1000/i/9a5741c9376713a582dc8b2b220b33d9844908c6469a174d74e876eb410dd803/2521_Neue-Szenen-VII_GP_Cave_Nancy-Jesse_26.jpg" /&#62;
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&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/8b91954a713023a4bcfb77f81e7a3105f72c7f500028d423bdaf36c4d0553506/2521_Neue-Szenen-VII_HPO_Cave_Nancy-Jesse_23-Kopie.jpg" data-mid="233006159" border="0"  src="https://freight.cargo.site/w/1000/i/8b91954a713023a4bcfb77f81e7a3105f72c7f500028d423bdaf36c4d0553506/2521_Neue-Szenen-VII_HPO_Cave_Nancy-Jesse_23-Kopie.jpg" /&#62;
&#60;img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/a900226f0d5d8a528641a6cfc555adf0f4172d083e107ef265a663cb953807e7/2521_Neue-Szenen-VII_GP_Cave_Nancy-Jesse_6.jpg" data-mid="233006156" border="0"  src="https://freight.cargo.site/w/1000/i/a900226f0d5d8a528641a6cfc555adf0f4172d083e107ef265a663cb953807e7/2521_Neue-Szenen-VII_GP_Cave_Nancy-Jesse_6.jpg" /&#62;

Photos by Nancy Jesse


CAVEComposer Haukur Þór Harðarson 
Librettist Sophie Fetokaki with Arabic text translated by Céline Skaf and Haia Dakwar
Premiere Deutsche Oper Berlin April 2025 with:
Conductor Samuel Beluzán Rodríguez 
Director Anna Sofie Keller Brandsborg &#38;nbsp;
Dramaturgie Pia Syrbe

Video artist Gaetan Langlois-MeurinneVideo raw material Nicola Mitropoulou
H Jüntao Ye 
A' Benjamin Guilbaud 
A'' Duangamorn Fu 
A''' Shuchen Dai And students of Hochschule für Musik Hanns Eisler




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 Whiteness and Sound Studies, a series of online talks I curated and hosted, featuring artists and scholars exploring whiteness, racialisation and coloniality in sonic theory and practice. The series is co-hosted by the Centre for Experimental Practices at the University of Huddersfield and University of the Arts, Helsinki.
&#60;img width="1754" height="2481" width_o="1754" height_o="2481" data-src="https://freight.cargo.site/t/original/i/20afbfad4acc7d526f7af182ca334bc60545d95dff7730ad2a8c3722436fe773/W-SS.png" data-mid="208805432" border="0"  src="https://freight.cargo.site/w/1000/i/20afbfad4acc7d526f7af182ca334bc60545d95dff7730ad2a8c3722436fe773/W-SS.png" /&#62;Resource list




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φρούτα ονείρων · dream fruit is an artistic research and performance project developed during a residency at Xarkis Festival in Kornos, Cyprus. It explores gendered and racialised social reproductive labour through the practice of traditional black-eyed pea ("louvi") preparation, a ritual familiar to most people who have spent time in Cyprus. Like many other time-consuming domestic tasks, the practice is an opportunity for gathering and "κουσκούς," meaning gossip or chit-chat.
 
 I approached the labour of this practice as an area of embodied technique - as epistemic in nature, containing and encoding knowledge not only about cooking and nourishment, but about identity, place-making, gender, rituals of gathering and being together, and histories of violence and dispossession that always, in Cyprus, lie just beneath the surface of everything. I took the ritual of louvi preparation as a social form to be reenacted and expanded, and the artistic research process was guided by this aim. I sourced 30kg of fresh louvi for the performance, which I estimated would take four hours to shell, with the help of the public. I met and spent a morning with the couple who produced the crop in their field, located in the buffer zone near the village of Akaki. During this visit, Mr. Kostis and Mrs. Toulla shared histories of the land and their relationship with it, as well as local histories of conflict and struggle. I created a multi-channel sound installation using these oral histories, as well as my own vocal improvisations and sounds derived from found objects. I wrote a script (with both English and greek-Cypriot versions) to be performed by the audience during the performance itself. The script included aspects of the oral histories not included in the sound installation, as well as theoretical material on Nancy Fraser’s concept of “boundary struggles,” and narratives on place-making and situated feminisms drawn from the symbiotic relationship between louvi and nitrogen-fixing rhizobia, which, together, regenerate the soil in which the plant grows. &#38;nbsp;

 
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Below is a short video intended to give an impression of this project. I am currently working on an academic video article, a written article, and a non-academic video work, each of which will draw out and expand on different themes and approaches from this rich and multi-layered project.




Oral histories - Mr. Kostis and Mrs. Toulla; script-readers - Belinda Papavasiliou, Ioulita Toumazi and Miriam Gatt.
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Μουσικός Περίπατος στη Βάβλα / Musical Promenade in Vavla took place in the mountainous village of Vavla in the Larnaka district of Cyprus. I co-produced and co-curated this festival with other community members, and also performed songs of Asia Minor and the Aegean islands with Veronika Aloneftou and Elena Xyda.
The event included seven acts performing in traditional houses, courtyards and stone-paved streets of the village, followed by a DJ set in the centre of the village, with various homemade local products on sale. It also involved an art exhibition by local painter Paskalis Anastasi, whose painting “Vavla Village, Morning Light” is featured in the poster and brochure. &#38;nbsp;
The event was held under the auspices of the Cultural Services of the Ministry of Education and Culture as part of the 2023 Cultural Decentralisation Program, with additional support from the Ministry of Agriculture, Rural Development and Environment.


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Graphic design by Popi PissouriouPhotos by Panayiotis Mina





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Video of Appalachian ballad ‘Pretty Saro’ at Sage Gateshead artist residency:




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Sage Gateshead residency 
announcement

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From 2020-2021 I was the performance doula for this project at 

Momentum Theatre in Odense, Denmark. Among the many things that emerged from this project was this durational, open form, installation-performance called&#38;nbsp;På Jorden (On Earth).Team: Monia Sander (director), Marius Ursu, 
Louisa Yaa Aisin, Alaa Abdol-Hamid, Ylva Maia 

Havndrup (performers), Line Dahler Eriksen, Nanna Katrine Hansen, Samara Sallam (research team), Charlotte von Magius Gross (permagardener), Cæcilie Tørnsø (scenographer), 
Eliza Bozek, Stephen McEvoy (sound artists), Flora Brandt (light artist),&#38;nbsp;

Linda Lamignan (costume designer).







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Album release performance at Fengaros Reacts online festival, November 2021




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Photos by Paris Christophi


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Video for ‘Almonds for the Present Moment’ from my album Abundance, featuring a special votive candle released with the album, made in collaboration with Vasiliki Riala and Savvas Avraam. Video by Giorgos Sylianou.&#38;nbsp;




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In July 2021, Phil, Lucy and I 
had a wonderful conversation about music and rivers and mourning and plants and S bahns and practice and duration and materiality and prayer and bells (++++++) and Phil turned it into this gorgeous poetic meander for his show on NTS radio. Have a listen below.&#38;nbsp;

NTS Sunday · Phil's Jazz Dis-Junction w/ Sophie Fetokaki &#38;amp; Lucy Railton - 220821
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In May I recorded a new song called ‘Don’t Lament in Sorrow’ with Marios Takoushis and Giorgos Stylianou, for Marios’ youtube channel Warehouse Diaries. This is the first release of some new marterial that will be emerging slowly. The lyrics can be found in the description.

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Bist du bei mir from my album Abundance on the The Wire’s radio show on resonance fm, presented by Shane Woolman.


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A little series of home movies made in and around the village of Vavla, in Cyprus. &#38;nbsp;




 






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A version of the 18th century German aria Bist du bei mir that Fred Thomas and I made together is out on vol 4 of Nonclassical's Outside the Lines compilation series. 
Here is a short text I wrote about the release:


This little song was copied by Anna Magdalena Bach into her musical notebook, sometime around 1725. The song used to be attributed to J.S. Bach, but actually it is probably by the composer Gottfried Heinrich Stölzel. ∞It is one of many songs and arias in the notebook that take death as their subject in a manner that expresses the Lutheran concern with the spiritual practice of ars moriendi, the art of dying. ∞When Lefteris, Andreas, Fred and I gathered to record my album Abundance, I hadn’t decided to put this song on it. But, being an album of ritual, transition, celebration and devotion, it made perfect sense when Fred suggested it.∞
The song is about leaving this world with confident assurance of salvation in Christ. It begins, "If you are with me, I will go joyfully / To my death and to my rest."∞Since the time of recording, I have learned a deeper lesson about the importance of ars moriendi, of practicing a relation to death, of preparing to greet death with a radiant and devotional gratitude for living.∞I feel that music is at its deepest level of sedimentation a devotional practice, a spiritual practice, and I've always been struck by the devotional power of this song. The absolute foreverness of those words.  ∞As with all acts of making, this version grew from many seeds. One of them is a birthday present I made for Fred many years ago, a layered recording made in my bedroom with the melody of the song woven into lines from Rilke's Letters to a Young Poet. ∞It was an afterthought, and we recorded it last, and it will appear last on the album, as it does here in this compilation. It is a final song, but not a song of ends. It is a song that passes into the other side of repetition. ∞Bist du bei mir was recorded and mixed by Andreas Trachonitis at Studio eleven63, with additional recording by Alex Harker. 





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My piece “The Resurrection” is out on with UK label nonclassical, on volume 4 of their lockdown compliation series. 

100% of the revenue from sales go straight to the artists.
https://nonclassical.bandcamp.com/album/i-hope-this-finds-you-well-in-these-strange-times-vol-4 &#38;nbsp;

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From July - September 2020 I had the great pleasure of serving as musical director (although I prefer the term ‘performance doula’) for Ragnar Kjartansson’s The Sky in a Room, which took place in the stunning church of San Carlo al Lazzaretto in Milan. Having been transformed by this piece when I played in it myself three years ago, it was a profound joy to be able to facilitate its rebirth into the world with a wonderful new group of performers.
Performers: Serena Erba, 
Kleva Metolli, Alessandra Bordiga, Zhou Fang, Yukiko Aragaki, Fausto Caricato and Francesco Leineri


Lilja Gunnarsdóttir, studio manager for Ragnar Kjartansson

Barbara Roncari, production manager


Produced by&#38;nbsp;

Fondazione Nicola Trussardi



Curated by Massimiliano Gioni


https://www.fondazionenicolatrussardi.com/en/mostre/the-sky-in-a-room-2/https://www.nytimes.com/2020/09/18/arts/design/ragnar-kjartansson-milan.html


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Performer: Serena Erba



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Arïanna: Liefde Zonder Grenzen
A production by Podium Mozaïek and World Opera Lab

Director: Miranda Lakerveld Composition: Aspasia Nasopoulou, Kaveh Vares, Haytham Safia &#38;nbsp;Singers: Aylin Sezer, Sinan Vural, Shwan Sulaiman, Sophie Fetokaki, Youmni Abou al Zahab &#38;nbsp;Dancers: Nyanga Weder, Vanessa Felter Haytham Safia Musicians: Haytham Safia (ud), Wim Dijkstra (organ), Tara Kumar (cello), Osama Mileegi (percussie), Vincent Martig (klarinet) en Emmy Storms (viool) &#38;nbsp;Set: Makers Unite &#38;nbsp;Video: Amjad Hashem, Gandy Mansour, Jaap Dankert Boventiteling: Mattias Konecny, Kavita Huizing and Rozemarijn Tiben (libretto translation) Light: Bart van den Heuvel &#38;nbsp;Costumes: Jantine Kraaijeveld Make-up: Carol Zaraï Korver, Armine Vardanyan Assistant director: Anne-Lieke Terpstra, Yousef Al-Kabra Coaching Afro-Surinamese song: Black Harmony Producer: Jasper Berben&#38;nbsp;https://www.podiummozaiek.nl/arianna#over-de-voorstelling



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The Resurrectionfor the eavesdropping end-of-season playlist

Holy week on Thassos, an island just south of the Eastern Macedonian mainland. Since congregating is forbidden, religious services are held behind closed doors, delivered by the priest and two cantors and amplified via megaphone speakers mounted on the outer walls of the church.

On Good Friday, the bells perform an exquisite work of durational performance art, pealing out the three tones of a minor triad, one tone every four seconds, for six hours.

On Easter Sunday, a shortened version of the liturgy, roughly one hour long, resounds throughout the village.

On Monday, I go to the hills.





eavesdropping.london · Sophie Fetokaki 'The Resurrection'

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Performance at eavesdropping concert series, curated by Juliet FraserOxford House, London
January 24th, 2020

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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/354197baca23c83c74c1e293f673c7c98e4b1f5a033326d8a3eda3de2dea336a/2020_E1_08.jpg" data-mid="61151987" border="0"  src="https://freight.cargo.site/w/1000/i/354197baca23c83c74c1e293f673c7c98e4b1f5a033326d8a3eda3de2dea336a/2020_E1_08.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7340fced4c9cb1d89b002ff65e90f8d0317d03309d7b761d55b1b7dd14bbe5a0/2020_E1_10.jpg" data-mid="61151988" border="0"  src="https://freight.cargo.site/w/1000/i/7340fced4c9cb1d89b002ff65e90f8d0317d03309d7b761d55b1b7dd14bbe5a0/2020_E1_10.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/32f47d4a42845c788212dc906c3b47020d7ed69fe715e805bd4ae7bca279505a/2020_E1_12.jpg" data-mid="61151989" border="0"  src="https://freight.cargo.site/w/1000/i/32f47d4a42845c788212dc906c3b47020d7ed69fe715e805bd4ae7bca279505a/2020_E1_12.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/533c6c76f193bd1a3e6e3835b00edea91f33987180249b48b131feb59893a773/Sophie_01.jpg" data-mid="61151991" border="0"  src="https://freight.cargo.site/w/1000/i/533c6c76f193bd1a3e6e3835b00edea91f33987180249b48b131feb59893a773/Sophie_01.jpg" /&#62;


photos by Nayari Cepeda



Live recordings by John Croft and Chiaro


●

Poems for the Fire was a joint commission from&#38;nbsp;

Departure Duo, for which Haukur Þór Harðarson made the music and I made the text.&#38;nbsp;
January 2020&#38;nbsp;




●



BEYOND THE BOUNDARIES OF INTIMACY
An album of music by Frank Denyer on which I had the honour of singing with&#38;nbsp;
Juliet Fraser (voice) and Jos Zwaanenberg &#38;amp; Carlos Anez (flutes) in Two Female Singers and Two Flutes (2013). Out on Another Timbre, Nov 2019
&#60;img width="720" height="720" width_o="720" height_o="720" data-src="https://freight.cargo.site/t/original/i/9118d6c1e9aeeff901767820de370ed0477bf003c56bb2170a59fe399a4de584/another-timbre.jpg" data-mid="75246811" border="0"  src="https://freight.cargo.site/w/720/i/9118d6c1e9aeeff901767820de370ed0477bf003c56bb2170a59fe399a4de584/another-timbre.jpg" /&#62;




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LUNCH / HÁDEGISVERÐUR


Devised during the ‘Northern Creation’ Residency of the Northern Network for Performing Arts

Tjarnarbíó, Reykjavík


October 25th, 2019
with 
Erlend Auestad Danielsen (NO), Anni-Kristiina Juuso (Sápmi), Mari Keski-Korsu (FIN), Emma Langmoen (NO), Júlía Mogensen (IS) Riikka Vuorenmaa (FIN) and Jacob Zimmer (CAN / WHITEHORSE)
More information:&#38;nbsp;

northernperformingart.com/projects/



&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/e8a6e74f438b517b58506bf71cea8763eded69aa39f23eeb0e544a3d9c8e3455/LUNCH_CHRISTOFFER_COLLINA-5.jpg" data-mid="65043012" border="0"  src="https://freight.cargo.site/w/1000/i/e8a6e74f438b517b58506bf71cea8763eded69aa39f23eeb0e544a3d9c8e3455/LUNCH_CHRISTOFFER_COLLINA-5.jpg" /&#62;
&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/9547742f197504bcd7a7346785003e41106f5688f330f6bfd1659fe5e8b73bdf/LUNCH_CHRISTOFFER_COLLINA-11.jpg" data-mid="65043058" border="0"  src="https://freight.cargo.site/w/1000/i/9547742f197504bcd7a7346785003e41106f5688f330f6bfd1659fe5e8b73bdf/LUNCH_CHRISTOFFER_COLLINA-11.jpg" /&#62;
&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/ebd631da9d833c10ece4aede83a92640fca53e453df7fc9e03ea8e24522c8430/LUNCH_CHRISTOFFER_COLLINA-13.jpg" data-mid="65043134" border="0"  src="https://freight.cargo.site/w/1000/i/ebd631da9d833c10ece4aede83a92640fca53e453df7fc9e03ea8e24522c8430/LUNCH_CHRISTOFFER_COLLINA-13.jpg" /&#62;
&#60;img width="4000" height="2668" width_o="4000" height_o="2668" data-src="https://freight.cargo.site/t/original/i/82b71cdfdf44ad956cff123804f19bd94ac46956f25060e156231bb2bc3e6cb7/LUNCH_CHRISTOFFER_COLLINA-15.jpg" data-mid="65043415" border="0"  src="https://freight.cargo.site/w/1000/i/82b71cdfdf44ad956cff123804f19bd94ac46956f25060e156231bb2bc3e6cb7/LUNCH_CHRISTOFFER_COLLINA-15.jpg" /&#62;
&#60;img width="1200" height="801" width_o="1200" height_o="801" data-src="https://freight.cargo.site/t/original/i/1340be90222efc707536a7e1f58100278bf39c70e8e5e26415a07e9fb15b02ad/finland.jpg" data-mid="157485450" border="0"  src="https://freight.cargo.site/w/1000/i/1340be90222efc707536a7e1f58100278bf39c70e8e5e26415a07e9fb15b02ad/finland.jpg" /&#62;


Photos and trailer by Christoffer Collina




●




Fengaros Music Festival

Solo performance of traditional and original songs


August 2nd, 2019
Kato Drys, Cyprus



&#60;img width="640" height="960" width_o="640" height_o="960" data-src="https://freight.cargo.site/t/original/i/08b6d3e02373bf41b39dff3d255b3af9401406a3a17d8516db0847e6f7b714fc/fengaros-II.jpg" data-mid="117450140" border="0"  src="https://freight.cargo.site/w/640/i/08b6d3e02373bf41b39dff3d255b3af9401406a3a17d8516db0847e6f7b714fc/fengaros-II.jpg" /&#62;


●



Hringflautan / Circleflute collaboration with&#38;nbsp;Þráinn Hjálmarsson, Brynjar Sigurðarson and Veronika Sedlmair
with

Björg Brjánsdóttir,&#38;nbsp; Melkorka Ólafsdóttir, Steinunn Vala Pálsdóttir and 

Berglind María Tómasdóttir



October 25th, 2018www.cycle.is



Click here for full documentation 


&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/0be42ae90cd2440078f9a10475477170b59b21a5113766c8e3d4bc0e037be563/44846043_2142097099337710_3526145966509916160_o.jpg" data-mid="41585493" border="0"  src="https://freight.cargo.site/w/1000/i/0be42ae90cd2440078f9a10475477170b59b21a5113766c8e3d4bc0e037be563/44846043_2142097099337710_3526145966509916160_o.jpg" /&#62;







●





αἰ αί / æ æ / ay ay — a few pieces about words, and other things that fall apart

September 21st, 2018 Perdu, Amsterdam, Netherlands https://perdu.nl/en/archief/avonden/r/seizoensopener18/





●





SONG CYCLES




Koilani, Cyprus

August 13th - 19th 2018



Click here for full documentation.


&#60;img width="1875" height="1250" width_o="1875" height_o="1250" data-src="https://freight.cargo.site/t/original/i/84ba4b1c28c5ff08846fc6dfa13ed67dd1151b2044fe954d814a2c01908fd6cd/40330137_2152132351705480_958227102321082368_o.jpg" data-mid="31284109" border="0"  src="https://freight.cargo.site/w/1000/i/84ba4b1c28c5ff08846fc6dfa13ed67dd1151b2044fe954d814a2c01908fd6cd/40330137_2152132351705480_958227102321082368_o.jpg" /&#62;

Photo by Emma Louise Charalambous 

&#38;nbsp;








●



Singing folk songs at Feggaros Music Village, Kato Drys
June 21st 2018







&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6a1724cdf2c963dfde7fe7e56e76c6728db05fa93142ecaa39e33cb0e0f8a45b/-.jpg" data-mid="117450290" border="0"  src="https://freight.cargo.site/w/1000/i/6a1724cdf2c963dfde7fe7e56e76c6728db05fa93142ecaa39e33cb0e0f8a45b/-.jpg" /&#62;
&#60;img width="1840" height="1228" width_o="1840" height_o="1228" data-src="https://freight.cargo.site/t/original/i/6fc590eaa65a689a9b1c5bd3ef32d840ed7f2a3271bccbaffe8b26ee0ad5eda9/38812281_1664367153672521_3414299486204198912_o.jpg" data-mid="117450280" border="0"  src="https://freight.cargo.site/w/1000/i/6fc590eaa65a689a9b1c5bd3ef32d840ed7f2a3271bccbaffe8b26ee0ad5eda9/38812281_1664367153672521_3414299486204198912_o.jpg" /&#62;
&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/fefb9754bc56e0826e8c9264b9a565d539a9d9a8d1b07ae3bcebb1cfd95f98f6/38814963_1664364563672780_3258443871880740864_o.jpg" data-mid="117450281" border="0"  src="https://freight.cargo.site/w/1000/i/fefb9754bc56e0826e8c9264b9a565d539a9d9a8d1b07ae3bcebb1cfd95f98f6/38814963_1664364563672780_3258443871880740864_o.jpg" /&#62;
&#60;img width="1907" height="1273" width_o="1907" height_o="1273" data-src="https://freight.cargo.site/t/original/i/2cb0ac3ecb9bf2d1fe105c1b85f3bd6ef8498d97f5beda739eb15844a39280dc/38828216_1664363083672928_8463762896818536448_o.jpg" data-mid="117450282" border="0"  src="https://freight.cargo.site/w/1000/i/2cb0ac3ecb9bf2d1fe105c1b85f3bd6ef8498d97f5beda739eb15844a39280dc/38828216_1664363083672928_8463762896818536448_o.jpg" /&#62;
&#60;img width="1124" height="1685" width_o="1124" height_o="1685" data-src="https://freight.cargo.site/t/original/i/793b14c309c4337206aca3bf346f73de7ee80a485f013cd5459518c2f5ba032e/38939027_1664362593672977_3934629396815544320_o.jpg" data-mid="117450284" border="0"  src="https://freight.cargo.site/w/1000/i/793b14c309c4337206aca3bf346f73de7ee80a485f013cd5459518c2f5ba032e/38939027_1664362593672977_3934629396815544320_o.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d3c90ee806be2befe1fd509ff1cd97b953f496d976be4a5e2509cba98d2040ed/38985023_1664362243673012_4087255934466785280_o.jpg" data-mid="117450285" border="0"  src="https://freight.cargo.site/w/1000/i/d3c90ee806be2befe1fd509ff1cd97b953f496d976be4a5e2509cba98d2040ed/38985023_1664362243673012_4087255934466785280_o.jpg" /&#62;

Photos: Andreas Christofides
Featuring: Giorgos Kalogirou, laouto and Charis Ioannou, saxophone&#38;nbsp;


●



Performing “Uncle Falling” with Anne Carson, Robert Currie, James Merry and others


Mengi, Reykjavik, IcelandJuly 2018
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a17f4f0e4a7fefdf3050958d603a21c8b7d65fd45d2848c69e79c7736a9d9fd9/36746510_573744303019196_8933985713205018624_n1.jpg" data-mid="93854245" border="0"  src="https://freight.cargo.site/w/1000/i/a17f4f0e4a7fefdf3050958d603a21c8b7d65fd45d2848c69e79c7736a9d9fd9/36746510_573744303019196_8933985713205018624_n1.jpg" /&#62;



●





Reading Emily Dickinson&#38;nbsp;

Mengi, Reykjavik, Iceland
July 2018&#60;img width="550" height="770" width_o="550" height_o="770" data-src="https://freight.cargo.site/t/original/i/07229f4494a3cc47d1dbcf90f7c557b679480409e6cff405f67011184e124913/Anne-Carson-Mengi-48081.jpg" data-mid="20374830" border="0"  src="https://freight.cargo.site/w/550/i/07229f4494a3cc47d1dbcf90f7c557b679480409e6cff405f67011184e124913/Anne-Carson-Mengi-48081.jpg" /&#62;

Photo by Steinn Þorkelsson



●




Singing some Greek folk songs at a release of books by Anne Carson and Ragnar Helgi Ólafsson

Einar Jónsson Museum, Reykjavík, Iceland&#38;nbsp;
June 28th 2018




&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a2227e022eec73079286acbb0b03f9504a2fbf09a9197984641f4f26a60e5e78/37005692_861456880711256_1198971306435936256_o.jpg" data-mid="20374647" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/a2227e022eec73079286acbb0b03f9504a2fbf09a9197984641f4f26a60e5e78/37005692_861456880711256_1198971306435936256_o.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/25754437c092352cd5a1f87b47a0debf8467ba6ba66f6bcedd3c706e49289ec0/37085149_861452387378372_945694894557495296_o.jpg" data-mid="20374813" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/25754437c092352cd5a1f87b47a0debf8467ba6ba66f6bcedd3c706e49289ec0/37085149_861452387378372_945694894557495296_o.jpg" /&#62;

●



Meta/morphē

created with&#38;nbsp;

María Arnardóttir


Click here for full documentation.

&#60;img width="588" height="593" width_o="588" height_o="593" data-src="https://freight.cargo.site/t/original/i/d6ec45063d80799002540c1bd039cf9a123da9f723503eb027c24a79cd7b2b35/logo.jpg" data-mid="21346577" border="0" data-scale="23" src="https://freight.cargo.site/w/588/i/d6ec45063d80799002540c1bd039cf9a123da9f723503eb027c24a79cd7b2b35/logo.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/a723acae589aa78060ef1a931680cc4f08c895f7e4ad0cc6b82ab7b4f9f26bff/IMG_20180619_163626_018.jpg" data-mid="20374953" border="0"  src="https://freight.cargo.site/w/1000/i/a723acae589aa78060ef1a931680cc4f08c895f7e4ad0cc6b82ab7b4f9f26bff/IMG_20180619_163626_018.jpg" /&#62;



●



QUAD
Samuel BeckettApril - May 2018 (series of performances in locations around Huddersfield, created with David Pocknee)
November 2018 (Huddersfield Contemporary Music Festival)


For full documentation 
click here.&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/23830af09320de22a15e8105e94ba532ccaf2ea58eafec8672e049b99fa61712/vera-corner.jpg" data-mid="29452660" border="0"  src="https://freight.cargo.site/w/1000/i/23830af09320de22a15e8105e94ba532ccaf2ea58eafec8672e049b99fa61712/vera-corner.jpg" /&#62;Photo by Sam Gillies


video filmed by Lynette Quek

●




DAYS OF SILENCE
by&#38;nbsp;

Haukur Þór Harðarson



with Ensemble Caput, recorded live at Norræna húsið, Reykjavík, Iceland on February 18th, 2018



http://nordichouse.is/event/1515-tonleikasyrpan-tonskaldin-ungu/


soprano



●




THE 

SKY IN A ROOMart

work by Ragnar 
Kjartansson 

commissioned by Artes Mundi


February - March 2018https://inews.co.uk/culture/arts/ragnar-kjartannson-sky-room-national-museum-wales-review-moments-hypnotic-transcendence/
www.theguardian.com/artanddesign/2018/feb/02/ragnar-kjartanssons-five-week-marathon-of-music-the-sky-in-a-room-review



&#60;img width="1920" height="1152" width_o="1920" height_o="1152" data-src="https://freight.cargo.site/t/original/i/d37a7cf8fbc8c7927c87c39387c4ee8f8447e23a0309bba33cb612e27860889d/guardian-image.jpg" data-mid="11806807" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/d37a7cf8fbc8c7927c87c39387c4ee8f8447e23a0309bba33cb612e27860889d/guardian-image.jpg" /&#62;
photo by 
Gareth Phillips
 Video on Vimeo:&#38;nbsp;

&#60;img width="1426" height="800" width_o="1426" height_o="800" data-src="https://freight.cargo.site/t/original/i/2a6aa54f09b35a7650ad2777c1d5f632717b4006eb48b3a8d0dafca6364b7120/Screenshot-2.png" data-mid="158532811" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/2a6aa54f09b35a7650ad2777c1d5f632717b4006eb48b3a8d0dafca6364b7120/Screenshot-2.png" /&#62;




Ragnar KjartanssonThe Sky in a Room, 2018Performer, organ and the song "Il Cielo in una Stanza" by Gino Paoli (1960)Commissioned by Artes Mundi for the National Museum in CardiffCourtesy of the artist, Luhring Augustine, New York and i8 Gallery, Reykjavik

Recorded during the performance at the National Museum in Cardiff 3. February - 11. March 2018, performance by Sophie Fetokaki and Sam Roberts.





●






THE LOINPRES, OR HOW TO SURRENDER YOUR WILL AND YET TO WRITE

December 2017
Perdu, Amsterdam, NLhttps://www.perdu.nl/en/archief/sophie-fetokaki/r/poezie-en-mystiek/



●




ReFeRe


radioplay/electronicopera/installation by Thomas Myrmel
The Warp at Kunstkapel. Amsterdam, NL
October 2017
www.rabotnik.dds.nl/thewarp/wordpress/day-ii-in-retrospect/

&#60;img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9f7beb0c9b743e14d599b3159ed118f0e389938a6591e27debab1a4674473a96/refere.jpg" data-mid="15193894" border="0" data-scale="100" src="https://freight.cargo.site/w/683/i/9f7beb0c9b743e14d599b3159ed118f0e389938a6591e27debab1a4674473a96/refere.jpg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/593f5e2af1c282699ab493b8a91f59eac34d49962d3227974270b894f6cef09a/refere2.jpg" data-mid="15193895" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/593f5e2af1c282699ab493b8a91f59eac34d49962d3227974270b894f6cef09a/refere2.jpg" /&#62;

&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/150a64a7d78445e72ee3cb58df49b304a8d535078e5b809967174e9c58c99b53/refere3.jpg" data-mid="15193896" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/150a64a7d78445e72ee3cb58df49b304a8d535078e5b809967174e9c58c99b53/refere3.jpg" /&#62;



●




SVIOLONCELLO


September

2017

Amsterdam Fringe Festival, NL
made and performed with Brice Catherin and Robin Jousson&#38;nbsp;http://amsterdamfringefestival.nl/programma/svioloncello/







●



Duet for two poetsAugust 2017
with Mia YouModernism Today Conference2017 meeting of the Modernist Studies AssociationSexyland, Amsterdam and an apartment in Larnaka, Cyprus
&#60;img width="1915" height="889" width_o="1915" height_o="889" data-src="https://freight.cargo.site/t/original/i/d5e20866de14a798470ed6c0f66fc8077cb54703cf5506588fb81a2af492cbf0/modernism-performed.png" data-mid="188252165" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/d5e20866de14a798470ed6c0f66fc8077cb54703cf5506588fb81a2af492cbf0/modernism-performed.png" /&#62;&#60;img width="970" height="576" width_o="970" height_o="576" data-src="https://freight.cargo.site/t/original/i/8847fbd34866f629e256b8cc440b7ce99c0f9590f48da8abc670ab00cfb6e5ca/duet-for-2-peots.png" data-mid="188252179" border="0" data-scale="61" src="https://freight.cargo.site/w/970/i/8847fbd34866f629e256b8cc440b7ce99c0f9590f48da8abc670ab00cfb6e5ca/duet-for-2-peots.png" /&#62;



●





άκ02:&#38;nbsp;SONOROUS BODIES
August 2017voice, vibraphone and diffusion&#38;nbsp;
Thkio Ppalies
Nicosia, Cyprus&#38;nbsp;
www.thkioppalies.org/Sonorous-Bodies
&#60;img width="999" height="666" width_o="999" height_o="666" data-src="https://freight.cargo.site/t/original/i/c972d9f10770607fbb6bdf127b38098e97c88698119a208ac71713469c628467/thkio-palie-3.jpg" data-mid="14220461" border="0"  src="https://freight.cargo.site/w/999/i/c972d9f10770607fbb6bdf127b38098e97c88698119a208ac71713469c628467/thkio-palie-3.jpg" /&#62;

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●




IMPROVISATION on 
το γιασεμί / the jasmine tree
recorded in the church of παναγία&#38;nbsp;γαλακτοτροφούσα / the nursing madonna&#38;nbsp;

August, 2017 
Mathiatis, Cyrpuswith Brice Catherin




●




RA…PATSIA…OU…

opera by Andys Skordis
October, 2016

Dancehouse Lefkosia




Kypria Festival, Cyprus





&#60;img width="1000" height="800" width_o="1000" height_o="800" data-src="https://freight.cargo.site/t/original/i/96650ecced6b5de819a7ccc2268801bc58aac0e2561b968368092685bb400e67/rapatsiaou.jpg" data-mid="13148935" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/96650ecced6b5de819a7ccc2268801bc58aac0e2561b968368092685bb400e67/rapatsiaou.jpg" /&#62;

with&#38;nbsp;

Elli Aloneftou


Photo: Silvio Rusmigo





●




HARNESS

September, 2016
Oostblok Theater&#38;nbsp;Amsterdam Fringe Festival, NL



Knot Applicable 

members:&#38;nbsp;Vera Goetzee, Dasinya Sommer, Mei-yi Lee, Sophie Fetokaki






music: John Cage Ryoanji (1983-83) 


http://amsterdamfringefestival.nl/en/programma/harness/
Review in Theaterkrant (Dutch): www.theaterkrant.nl/recensie/harness/knot-applicable/
English translation: knotapplicable.wordpress.com/press-2/


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photos by Kasper Vogelzang



●





LUCI SERENE E CHIARE with ENSEMBLE&#38;nbsp;HIMEROS 



September,&#38;nbsp; 2016&#38;nbsp;
Utrecht Early Music Festival, NL







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photo by Kasper Vogelzang
more photos&#38;nbsp;here
performers: Vera Goetzee, Emilio Aguilar, Marie Théoleyre, David Mackor,&#38;nbsp; Andrés Locatelli,&#38;nbsp;
Lucía Caihuel,&#38;nbsp;

Sophia Patsi,&#38;nbsp;

Bram Trouwborst,&#38;nbsp;

Miron Andres, Mariano Boglioli 

&#38;nbsp; 



●




DUET FOR TWO POETS


for two poets in 
two different locations, and audience




Mia You performing



with Jane Lewty (absent)

DoorKruising June, 2016
Dokzaal, Amsterdam




photo by Kasper Vogelzang








&#60;img width="960" height="639" width_o="960" height_o="639" data-src="https://freight.cargo.site/t/original/i/536e5192379a38b6c0ab1457bdfc1729efee25aa2687c87010538f230bd155bc/Mia-You.jpg" data-mid="11805739" border="0" data-scale="90" src="https://freight.cargo.site/w/960/i/536e5192379a38b6c0ab1457bdfc1729efee25aa2687c87010538f230bd155bc/Mia-You.jpg" /&#62;








●



THEATRE OF THE 

WORLD&#38;nbsp;
opera by

Louis Andriessen


with the Dutch National Opera, conductor Reinbert de Leeuw director Pierre Audi
L.A. Walt Disney Concert Hall, May 2016 &#38;nbsp;(with L.A. Philharmonic)
Amsterdam Carré Theatre, June 2016 &#38;nbsp;(with Asko&#124;Schönberg)








&#60;img width="750" height="422" width_o="750" height_o="422" data-src="https://freight.cargo.site/t/original/i/ef0834caa035369a27808392edb029e9fd54dd85682f6eb38250da378d326809/la-et-cm-theatre-of-the-world-pg-20160509-002.jpg" data-mid="11806287" border="0" data-scale="91" src="https://freight.cargo.site/w/750/i/ef0834caa035369a27808392edb029e9fd54dd85682f6eb38250da378d326809/la-et-cm-theatre-of-the-world-pg-20160509-002.jpg" /&#62;

May 2016, Walt Disney Concert Hall, Los Angeles



&#60;img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/ce5a6e4d74bc07d798f45b2b350083e61f00ef0ed6ff232d761b5bc2e34e55c3/theatreoftheworld.jpg" data-mid="15194159" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/ce5a6e4d74bc07d798f45b2b350083e61f00ef0ed6ff232d761b5bc2e34e55c3/theatreoftheworld.jpg" /&#62;

June 2016, 

Royal Theatre Carré,

 Amsterdam&#38;nbsp;with Leigh Melrose, 
Ingeborg Bröcheler and 
Charlotte Houberg




●




DoorKruising,&#38;nbsp;January 2016

Zaal100
Amsterdam
supported by:

&#60;img width="2893" height="868" width_o="2893" height_o="868" data-src="https://freight.cargo.site/t/original/i/caa0b3c09d135c0c5b86497ef5994f7b6799883ee03d3598c8eb6829f4497066/afk.jpg" data-mid="14797376" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/caa0b3c09d135c0c5b86497ef5994f7b6799883ee03d3598c8eb6829f4497066/afk.jpg" /&#62;
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	<item>
		<title>things to read</title>
				
		<link>https://sophiefetokaki.com/things-to-read</link>

		<pubDate>Fri, 19 Jan 2018 17:17:24 +0000</pubDate>

		<dc:creator>sophiefetokaki</dc:creator>

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2025
August Prothesis published with Pamenar Press (UK)
June Recipient of the Iowa Review Award in Nonfiction for Essay on Islands (USA)
May Libretto CAVE, commissioned by Deutsche Oper Berlin, published in Interim Journal (USA)
2024
October What I know published in The Prose Poem, Issue 18: Skin (UK)

2023

October My lyric essay&#38;nbsp;"§" was published by Atlas &#38;amp; Alice magazine (USA)

June Whiteness, interpellation, and embodied technique in western classical vocal pedagogy published in the peer-reviewed journal Music Education Research. The article is part of a broader focus on decolonising performance, with which I am currently engaged in both my scholarly and artistic practice.&#38;nbsp;

2022
February&#38;nbsp;My PhD thesis “A Handbook of Situated Making” is available to download from the University of Huddersfield thesis repository. It was just under four years in the making and I am very proud of it. My supervisors were Ben Spatz and Philip Thomas.&#38;nbsp;

2021


April Lucy Railton and I continued our text and music collaboration with the release of&#38;nbsp;Subaerial, an album of improvised music that Lucy made with Kit Downes, recorded in 

Skáholt Cathedral, Iceland. I wrote the liner notes for the record, which can be read by purchasing the record at the link above, or over on Lucy’s Facebook page.&#38;nbsp; The liner notes, plus some of my other writing and singing and lots of Lucy’s beautiful music can be heard in the August episode of Phil Smith’s Jass Dis-Junction on NTS radio.



2020July Excerpts from my slowly accreting new poetry manuscript were published in Two If By Sea Press’ online journal. These pieces were written while living 

 under a library of glacial water in

Stykkishólmur, Iceland. It was during this residency that I began to engage more consciously with writing as a situated, embodied practice.&#38;nbsp;
June 
I wrote a text for "Gentle stranger, I hope this email finds you well," a collection of letters written by artists around the world, all in some way touching on the subject of care.&#38;nbsp; Curated by Sophie Mak-Schram and Alexander Norton over at 

Künstler Künstlerin, an artist platform based in Berlin. My offering to this project is an interspecies interlocution with a special Friend, an exploration of the muchness in our relationships with one another, and a tale of my intertwinement with a member of my own species. As well as a mishmash of much more multifarious muchness.




May I wrote a foreword 

exploring the idea of lament as resistance for Lucy Railton’s “Lament in Three Parts”. The album was released on Cafe Oto’s new label Takuroku and can be found here.

February &#38;nbsp;‘æ æ / αἰ αί / ay ay: lessons in love and loss’ has been published in the fourth issue of&#38;nbsp;Ós, a multilingual literary journal from Iceland. The full text can be read over at Arcturus (see below).

&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b0e119fc95f27910161b3e5e5d8554ab619bee455bb41daea2ec36c9d9d18578/image2.jpeg" data-mid="75243061" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b0e119fc95f27910161b3e5e5d8554ab619bee455bb41daea2ec36c9d9d18578/image2.jpeg" /&#62;
January&#38;nbsp;An epilogue to a podcast conversation with Juliet Fraser, ahead of my performance in her series Eavesdropping. Juliet asked me an important question about the relationship between art making and womanhood. I found myself unable to answer extemporaneously, and this text is the trace of subsequent thoughts on the question, and on the difficulty of answering. Juliet kindly included this text in her excellent Survival Kit.
2019


November Erasure poem for a composition by Haukur Þór Harðarson, commissioned
by Departure Duo. The piece is called Poems for the Fire and was premiered in March 2020.






August online poetry journal&#38;nbsp; 8poems published 

A / B, a reflection on various binary modes of thought.&#38;nbsp;

July
æ æ / αἰ αί / ay ay: lessons in love and loss, a text/performance piece published by the Chicago Review of Books’ online literary magazine Arcturus. 



May online art &#38;amp; poetry journal&#38;nbsp;Anti-Heroin Chic published my poem&#38;nbsp;μετά τη Σαπφώ / after Sappho



Some performance work from long ago:






&#60;img width="2251" height="3777" width_o="2251" height_o="3777" data-src="https://freight.cargo.site/t/original/i/56e7ad3fbb25ad7dd9f93c9fa247327d9f40507703eb5f39a25d6f166581e56a/20180427_172710-1.jpg" data-mid="23252525" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/56e7ad3fbb25ad7dd9f93c9fa247327d9f40507703eb5f39a25d6f166581e56a/20180427_172710-1.jpg" /&#62;





&#60;img width="2799" height="2799" width_o="2799" height_o="2799" data-src="https://freight.cargo.site/t/original/i/220b6e74cd62c34dcaead861fa7a1fd5a0bf2e45f68fd7961b3eb8b6c169c4a2/fragments.jpg" data-mid="198634046" border="0"  src="https://freight.cargo.site/w/1000/i/220b6e74cd62c34dcaead861fa7a1fd5a0bf2e45f68fd7961b3eb8b6c169c4a2/fragments.jpg" /&#62;




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	<item>
		<title>extemporanea</title>
				
		<link>https://sophiefetokaki.com/extemporanea</link>

		<pubDate>Sat, 27 Jan 2018 18:32:59 +0000</pubDate>

		<dc:creator>sophiefetokaki</dc:creator>

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Podcast discussion with Juliet Fraser ahead of my performance at eavesdropping, a new music series curated by Juliet, which takes place in the beautiful wooden chapel at Oxford House in Bethnal Green. Discussions of&#38;nbsp;

islands and edges, desire and departure, and the healing power of song. Juliet asked me one particular question which I struggled to answer extemporaneously. I ended up writing an essay on the subject, which can be read here.&#38;nbsp;&#38;nbsp;
December 2019




Blackest Crow with Vassilis Philippou
August 2018

&#60;img width="3783" height="3843" width_o="3783" height_o="3843" data-src="https://freight.cargo.site/t/original/i/20d512c5887c1af170a7ca5df3c6921191d3978728d776b0e2e90dc70d7a9d91/ritual.jpg" data-mid="23783707" border="0"  src="https://freight.cargo.site/w/1000/i/20d512c5887c1af170a7ca5df3c6921191d3978728d776b0e2e90dc70d7a9d91/ritual.jpg" /&#62;



CLAC
new music and performance art 
series 



April 2018


&#60;img width="3468" height="1428" width_o="3468" height_o="1428" data-src="https://freight.cargo.site/t/original/i/ec6f039e757c2750ac3ad39fcfd449c89a0e1a74fd1efa0388decedb338dfb3f/study-in-materiality---time.jpg" data-mid="13174748" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ec6f039e757c2750ac3ad39fcfd449c89a0e1a74fd1efa0388decedb338dfb3f/study-in-materiality---time.jpg" /&#62;Three weeks of cabbage photography
March 2017





&#60;img width="2795" height="2000" width_o="2795" height_o="2000" data-src="https://freight.cargo.site/t/original/i/20584c6d72c9b9b56205511b7cfbda4c5584f6f080077c6da7e65e792c60ddc0/sophie.jpg" data-mid="13175164" border="0"  src="https://freight.cargo.site/w/1000/i/20584c6d72c9b9b56205511b7cfbda4c5584f6f080077c6da7e65e792c60ddc0/sophie.jpg" /&#62;
Grottadrottningen, in&#38;nbsp;the Tombs of the Kings
Photo: Linus Andersson
Summer 2016
&#60;img width="3008" height="2000" width_o="3008" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1e057f8391f674fdd62e20fe7b431a3260449c437895a4ee4a64906f8a5be57f/dates.jpg" data-mid="13175225" border="0"  src="https://freight.cargo.site/w/1000/i/1e057f8391f674fdd62e20fe7b431a3260449c437895a4ee4a64906f8a5be57f/dates.jpg" /&#62;
Dates&#38;nbsp;
Summer 2016
&#60;img width="3168" height="2112" width_o="3168" height_o="2112" data-src="https://freight.cargo.site/t/original/i/21a26f16a0e50e2ebb6e6026aba525405106b6b0571abe55ffab3f11f2e5f4f8/nude-4small.jpg" data-mid="13175502" border="0"  src="https://freight.cargo.site/w/1000/i/21a26f16a0e50e2ebb6e6026aba525405106b6b0571abe55ffab3f11f2e5f4f8/nude-4small.jpg" /&#62;Nude#4 by Arantxa Hurtado
a long time ago&#38;nbsp;</description>
		
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		<title>planetary archipelagos</title>
				
		<link>https://sophiefetokaki.com/planetary-archipelagos-1</link>

		<pubDate>Sat, 27 Jan 2018 19:18:10 +0000</pubDate>

		<dc:creator>sophiefetokaki</dc:creator>

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		<description>


















a
collective artistic research initiative exploring the lived experience of
insularity and its intersection with postcoloniality and island ecology
currently emerging from the waves&#38;nbsp;

&#38;nbsp;&#60;img width="2560" height="1027" width_o="2560" height_o="1027" data-src="https://freight.cargo.site/t/original/i/f159dd1c06a6b8db9acbb5ca37acdc0d9c7005aa8a4211df6de358492167c727/CI_logo_RGB-scaled.jpg" data-mid="244730272" border="0" data-scale="14" src="https://freight.cargo.site/w/1000/i/f159dd1c06a6b8db9acbb5ca37acdc0d9c7005aa8a4211df6de358492167c727/CI_logo_RGB-scaled.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="1181" height="283" width_o="1181" height_o="283" data-src="https://freight.cargo.site/t/original/i/57375c4516580a9ffa4be884009ccc21bb07d4b0f1755108e281339a8e4000a8/Nordisk_Kulturfond_Black_RGB.png" data-mid="244730274" border="0" data-scale="13" src="https://freight.cargo.site/w/1000/i/57375c4516580a9ffa4be884009ccc21bb07d4b0f1755108e281339a8e4000a8/Nordisk_Kulturfond_Black_RGB.png" /&#62;&#38;nbsp; &#60;img width="438" height="576" width_o="438" height_o="576" data-src="https://freight.cargo.site/t/original/i/3fc5243a79cb705d6560e9ff86f35382f3069c7fa220f2754aab4ef50dfa2ff3/Globus-Opstart_Logo_BLACK_RGB.png" data-mid="244730273" border="0" data-scale="5" src="https://freight.cargo.site/w/438/i/3fc5243a79cb705d6560e9ff86f35382f3069c7fa220f2754aab4ef50dfa2ff3/Globus-Opstart_Logo_BLACK_RGB.png" /&#62;&#38;nbsp;
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	</item>
		
		
	<item>
		<title>about</title>
				
		<link>https://sophiefetokaki.com/about</link>

		<pubDate>Wed, 04 Apr 2018 09:25:53 +0000</pubDate>

		<dc:creator>sophiefetokaki</dc:creator>

		<guid isPermaLink="true">https://sophiefetokaki.com/about</guid>

		<description>
&#60;img width="3968" height="2976" width_o="3968" height_o="2976" data-src="https://freight.cargo.site/t/original/i/a0cd9723803d17104e4ebdfe3290381012f7a964e37a0aac0057229ec150ccce/IMG_20200416_183323.jpg" data-mid="75267667" border="0"  src="https://freight.cargo.site/w/1000/i/a0cd9723803d17104e4ebdfe3290381012f7a964e37a0aac0057229ec150ccce/IMG_20200416_183323.jpg" /&#62;&#38;nbsp;

I am a performer, writer, musician, and researcher exploring the formation of place-based identity through the repetition of shared embodied techniques, taking the gathering of bodies as a primary site of enquiry. I think of performance as research-oriented reenactment; as an intervention into social forms, in search of new ways of being together.&#38;nbsp;






- - - - 



Photo above by Giorgos Venizelos

Photos of my hands on the homepage are by Hedda&#38;nbsp;Axelsson


- - - -



Previous and current funding from:

&#60;img width="3742" height="1183" width_o="3742" height_o="1183" data-src="https://freight.cargo.site/t/original/i/45f4012463e0929527830b412c27128282025c08a5515ab1f79f24b00ed20d0d/grant_jpeg_black.jpg" data-mid="244458612" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/45f4012463e0929527830b412c27128282025c08a5515ab1f79f24b00ed20d0d/grant_jpeg_black.jpg" /&#62;

&#60;img width="1181" height="283" width_o="1181" height_o="283" data-src="https://freight.cargo.site/t/original/i/57375c4516580a9ffa4be884009ccc21bb07d4b0f1755108e281339a8e4000a8/Nordisk_Kulturfond_Black_RGB.png" data-mid="244458613" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/57375c4516580a9ffa4be884009ccc21bb07d4b0f1755108e281339a8e4000a8/Nordisk_Kulturfond_Black_RGB.png" /&#62;&#60;img width="797" height="1199" width_o="797" height_o="1199" data-src="https://freight.cargo.site/t/original/i/4adf6c01ae30170ebe589c43e0306e70fc48be638961419f5ed0e1f88a2c9569/AFK_met_Rood_RGB.jpg" data-mid="244458724" border="0" data-scale="8" src="https://freight.cargo.site/w/797/i/4adf6c01ae30170ebe589c43e0306e70fc48be638961419f5ed0e1f88a2c9569/AFK_met_Rood_RGB.jpg" /&#62;&#60;img width="2400" height="1200" width_o="2400" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0fbacb4ff1205596652ba4c8a52ce6dc5f4645277498d558c094e41f6874e1e7/merki_2400x1200.png" data-mid="244458729" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/0fbacb4ff1205596652ba4c8a52ce6dc5f4645277498d558c094e41f6874e1e7/merki_2400x1200.png" /&#62;&#60;img width="339" height="225" width_o="339" height_o="225" data-src="https://freight.cargo.site/t/original/i/9a2d6e9a5f6ac0acac0d5330b8ed957802d3d5a0f7a1afea694b1aeb19ba8ac3/new-logo-cyprus.jpg" data-mid="244458737" border="0" data-scale="28" src="https://freight.cargo.site/w/339/i/9a2d6e9a5f6ac0acac0d5330b8ed957802d3d5a0f7a1afea694b1aeb19ba8ac3/new-logo-cyprus.jpg" /&#62;
&#60;img width="2560" height="1027" width_o="2560" height_o="1027" data-src="https://freight.cargo.site/t/original/i/f159dd1c06a6b8db9acbb5ca37acdc0d9c7005aa8a4211df6de358492167c727/CI_logo_RGB-scaled.jpg" data-mid="244458749" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/f159dd1c06a6b8db9acbb5ca37acdc0d9c7005aa8a4211df6de358492167c727/CI_logo_RGB-scaled.jpg" /&#62;</description>
		
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	<item>
		<title>Home copy</title>
				
		<link>https://sophiefetokaki.com/Home-copy</link>

		<pubDate>Fri, 19 Jan 2018 17:06:19 +0000</pubDate>

		<dc:creator>sophiefetokaki</dc:creator>

		<guid isPermaLink="true">https://sophiefetokaki.com/Home-copy</guid>

		<description>WITH &#38;nbsp;OUT&#38;nbsp;
INTER &#38;nbsp;PRETATION</description>
		
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